Vision of a Cicada with Stuffed Animals
Part of the series “Who Owns an Idea,” where the artist engages AI with a unique prompt, then paints the generated image. In this early stage of artificial intelligence, the technology often does not get the details correct, and this is captured in this series.
Part of the series “Who Owns an Idea,” where the artist engages AI with a unique prompt, then paints the generated image. In this early stage of artificial intelligence, the technology often does not get the details correct, and this is captured in this series.
Part of the series “Who Owns an Idea,” where the artist engages AI with a unique prompt, then paints the generated image. In this early stage of artificial intelligence, the technology often does not get the details correct, and this is captured in this series.
A massive moth-like figure looms with outstretched wings spanning the entire width of the canvas. The wings shimmer with an eerie iridescence and the creature’s body is elongated and shadowy, with feathery antennae. Surrounding the central figure is an uncanny collection of stuffed animals, each one oddly distorted.
The composition is surreal, with the moth-like entity looming like a silent guardian or a spectral omen, while the stuffed animals appear both lifeless and strangely aware. The painting’s atmosphere is heavy with tension, inviting the viewer into a strange, dreamlike world where the familiar becomes uncanny, and the gentle turns menacing.